A sugar estate, and one of the finest in the “land of springs,” is that of “Mount Welcome.”
It is situated about ten miles from Montego Bay, in a broad valley, between two rounded ridges. These ridges, after running parallel for more than a mile, and gradually increasing in elevation, at length converge with an inward sweep – at their point of convergence, rising abruptly into a stupendous hill, that fairly merits the name which it bears upon the estate —the “mountain.”
Both the ridges are wooded almost down to their bases; the woods, which consist of shining pimento trees, ending on each side in groves and island copses, pleasantly interspersed over a park-like greensward.
The “great house” or “buff” of the estate stands under the foot of the mountain, just at the point of union between the two ridges – where a natural table or platform, elevated several feet above the level of the valley, had offered a tempting site to the builder.
In architectural style it is not very different from other houses of its kind, the well-known planter’s dwelling of the West Indies. One storey – the lower one, of course – is of strong stone mason-work; the second and only other being simply a wooden “frame” roofed with “shingles.”
The side and end walls of this second story cannot with propriety be termed walls: since most part of them are occupied by a continuous line of Venetian shutters – the “jalousies” of Jamaica.
These impart a singular cage-like appearance to the house, at the same time contributing to its coolness – a quality of primary importance in a tropical climate.
Outside in the front centre a flight of broad stone steps, resting upon arched mason-work, and bordered by strong iron balustrades, conducts to the level of the second storey – the real dwelling-house: since the ground-floor is entirely occupied by store-rooms and other “offices.”
The entrance door is from the landing of the aforesaid escalier, and conducts at once into the “hall” – a spacious apartment, of crucifix-shape, running clear across the building from side to side, and end to end. The current of air admitted by the open jalousies, passing constantly through this apartment, renders it at all times delightfully cool; while the lattice-work serves to mellow the glare of light, which, under the sky of the tropics, is almost as disagreeable as the heat. An uncarpeted floor, composed of the hardest sorts of native wood, and subjected to a diurnal polish, contributes to increase the coolness.
This great hall is the principal apartment of the dwelling. It is dining and drawing-room in one – where side-boards and cheffoniers may be seen in juxta-position with lounge chairs, fauteuils, and ottomans – a grand chandelier in the centre extending its branches over all.