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Ƞ  ,     頖         .     ,  :    .  , , ,    :     ,    ,   ;  - ,    .

 .    [1 -  .    . .: Ad Marginem; , 2002. .92.].

,      ,   .  -  ,     ,     ,    1990-      -   . ,  ,        ,     ,    .     partes extra partes    XX .,   - [2 - .-.  :   . .: , 2000(  1943).]  -[3 - - .  . .: , 1999(  1945).].  ,      , ,   .        (),    :    ,  ?     ?[4 -          (corp sans organes)          . ,  . -:  . .: -, 2007(  1973 .); Deleuze J., Guattari F. Mille Plateaux. Paris: Editions de minuit, 1980.] ,    蠖  軠   .  ,        , . ,     ,    堖 ,    .[5 - . .. . .: Ad Marginem, 1995. C.50.]

          堖        [6 -        .].       ,     ,  .    ,   ,      ,    (Bodies that Matter;   : matter , 1993)[7 - Butler J. Bodies that Matter: on the Discursive Limits ofSex. N.Y.: Routledge, 1993.].  ,  -     ,      ;         .    ࠖ      ,  ,    . Ƞ    ,      [8 - Ibid. P. 2831.],   ,         .

  ,      ,         .       ,     :  / ,  / ,  /   . ,          ,   :  , - ,   ..       ,        (cultural studies),  , ,   ,   [9 - Eagleton T. After Theory. N.Y.: Basic Books, 2003. P.186.].   ,     ,  ,  ,      .        1970--80- .         (1985) ,     ,     [10 - Scarry E. Body inPain. The Making and Unmaking ofthe World. N.Y.; Oxford: Oxford Univ. Press, 1985.];       (1978), ,   ( XIX- .,  XX-)      ,    [11 - Sontag S. Illness as aMetaphor. AIDS and its Metaphors. Penguin Books, 2002(1


 eds. 1978; 1989).].

       .     ,   ,         ,   ,  ,  ,  .   䠖      ,     .      ,       , ,  , , , ,  . , ,    ,  堖         ,  .       ,      .          ,     .

   , ,       .               , ,   , ,   ()  ,       ,        .     ,  ,   ,   ,  , ; ,     ,       [12 -  .  .   . .-.: Symposium;  , 2005. .47.].      ,     .     ,  :   ,     , ,   ,        .  ࠫ     ,  , -,      ,  , ࠫ       ,    .  ,   , ,  ,      ,   ,   ,   [13 - .. .   . .: , 1997. .197.].

      ,      ,     .       蠖     ,      .       ⠫ ,       ,  ⠫,      .      ,  ,   , ,   , ,  ..  ,  ,  ,   ,    [14 - Brooks P. Body Work. Objects ofDesire inModern Narrative. Cambridge; L..: Cambridge Univ. Press, 1993. C.  . Marking Out the Modern Body: The French Revolution and Balzac. P. 5488.].

      .   , ⠫S/Z (1970)     ,  ,        ,    .  ,      .   ࠫ ,  ࠫ       ,       ,       .     ,      . ,  ,  , ,    , 蠫  ;     [15 -  . S/Z. .:  , 2001. .193.].         ;       .       ,     ,    .          ,      .

      ,     , ,     -.  ,        -      哻,        ,         [16 - ..Π  // .  .   .  2. .1. .:   , 2002. .9.]. , , ,         .     :   ⠄ 蓻 (xxx)  ,         ,    [17 - .  :   ⠫  // . . .433.].         ,      ,    ,      .          :         ,  ,   ()    [18 - .. 432463.].

   , ..      ⠫ .   ,  ࠫ    , ,    ,  ,  [19 - ..  . : - . -, 1999..78.].     ,  ,  ; ,       ,   .       ,     ,  ,          .       ,  ,      ...          ,     蠫,  ...  ,     ,        ,   .

    ,         .   , ,    ,  , ,  .[20 - ., , .  :   ...  . ..  (, , ). .:   , 1996. . 1852.].     (    ,    ), ,    ,    [21 -     ..: ...    .  2- .  1. .:  , 2006.]. Ѡ             ,      .

      -   , ,   ,  ,    ..         ,    , ,  ,         .      ,          , ..,  ,  , .., .., ..,[22 -        .. ( . . - , 1995) .. (   .   , 71(, 2005): 7788).    -        .: Berman M. Coming toOur Senses. Body and Spirit inthe Hidden History ofthe West. N.Y.: Bantam Books, 1989; Fragments for aHistory ofthe Human Body. In3V.Ed.M.Feher. N.Y.: Urzone, 1989; Literature and the Body: Essays on Populations and Persons.Ed.E.Scarry. Baltimore: John Hopkins Univ. Press, 1988; Outram D. The Body and the French Revolution. Sex, Class, and Political Culture. N.H. and L.: Yale Univ. Press, 1989; PoulsenR.C.The Body as Text. InaPerpetual Age ofNon-Reason. N.Y.: Peter Lang Publishing, 1986; Stafford B. Body Criticism. Imagining the Unseen inEnlightenment Art and Criticism. Cambridge (MA) and L.: MIT Press, 1991. Π    .: Bruhm S. Gothic bodies. The Politics ofPain inRomantic Fiction. Philadelphia: University ofPennsylvania Press, 1994; Calanchi A. Dismissing the Body. Strange Cases ofFictional Invisibility. Bologna: CLUEB, 1999;   堖 Seltzer M. Bodies and Machines. N.Y.: Routledge, 1992.         . Punday D. Narrative Bodies: Toward aCorporeal NarratologyN.Y.: Palgrave Macmillan, 2003.]    , ,    . ,           ,         :  ,      ,      .

         (case)   .  ,    ,   ,   (em-bodi-ment)   [23 -        ,       :  (torepresent) ,  ,       (,  ,     ,    ),          ?  :          .   ,    (torepresent)   , , ,  (topresent):  ,    (presence).   (presenting) ,  ,     腻. Marin L. On Representation. Trans. byC. Porter, Stanford: Stanford Univ. Press, 2001. P. 256.     -      .].  ,     .    , , ,    [24 -    .  .   .   . .:   , 2005. .35.].   ,    ,   ,   ,  , , ,  ,    ,  .         ,  ,   ,     ,   (        30-40- . XIX .).     ,         ,       .       ,    ;       ,  .           ,    .   ,    蠖  ,    ,      .  , ,            XX.







        ,   . ,   ,         .   , ,  .  ,       ,     ,   ,       .    1972.    ,    ,    堖     [25 - Hoffman D. Poe Poe Poe Poe Poe Poe Poe. Garden city, N.Y.: Doubleday, 1972. P.261.].   ,  ,      ,   ,   ,  ?

       ;      :  ,    ()        ,     ,          (The Philosophy ofComposition, 1845).     ,      ࠫ 蠫[26 - .  // .  2- . . 2. .: , 1996. .545.]. ,         .   ,     ,  1845., ꠫    ,        .[27 - LowellJ.R.Edgar A. Poe // Grahams Magazine (Feb. 1845). . : The Recognition ofE.A.Poe. Ed.E.W.Carlson. Ann Arbor: Michigan Univ. Press, 1966. P.14.]            :



There comes Poe, with the raven, like Barnaby Rudge,

Three-fifth ofhim genius and two fifth sheer fudge,

Who talks like abook ofiambs and pentameters,

Inaway tomake people ofcommon sense damn meters,

Who has written some things quite the best oftheir kind,

But the heart somehow seems all squeezed out ofthe mind.



( , ,   ,   ,    ,      ,      .       ,   -   )[28 - LowellJ.R.Fables for Critics. . : WalkerI.M.Edgar Allan Poe. The Critical Heritage. N.Y.: Routledge, 1997. P.17.].



     (balance wheel)[29 -    . In: ibid. P.332.], ,      [30 -   . In: ibid. P.337.].  蠫       ;   (     )  ,   , .       -,   ,             30-40- . XIX .[31 -    1830-40-    .  , -  ,   : Douglas A. The Feminization ofAmerican Culture. N.Y.: Knopf, 1977; Tompkins J. Sensational Designs. The Cultural Work ofAmerican Fiction, 17901860. N.Y.: Oxford Univ. Press, 1985.]        (ahome-book),    . ,     [32 - Thompson J. The Late Edgar A. Poe. Southern Literary Messenger, XVI (Nov., 1849): 69497.].  ,   (sympathy)     ,      .  ,    ,   , ,  :    ratio    ꠫  .

         .    ,      .  ,    ,   -    ,     (jouissance) ;  ,   ,   ,   [33 - Baudelaire Ch. Edgar Allan Poe: sa vie et ses ouvrages. Ed.W.T.Bandy. Toronto: Univ. OfToronto Press, 1973.  . .:  .  .  . , 1910.].    XIX .     ,  . ʠ1850-60- .    堖 ,     .     ,      ,       .  ,  ,     [34 -    : Ludwig. Death ofEdgar Allan Poe // New York Weekly Tribune (Oct., 9, 1840):6.], ⠫ 1852.   ,        [35 - Griswold R. The Memoir // The Works ofthe late Edgar Allan Poe with Notices ofhis Life and Genius. ByN.P.Willis, J.R.Lowell, and R.W.Griswold. In3v. V. 3. N.Y.: J.S.Redfield, 1852. P. xxxi-xxxii.].         ,    , ,   ,        [36 -   1852. BaudelaireCh.Op. cit. P.12.].  ,        ,    ,  [37 -   1856. Ibid. P.109.].  XX .    :    ,   ,     .  ,    ,   ,  [38 - Shaw B. Edgar Poe // Critical Essays on E.A.Poe. Ed.E.W.Carlson. Boston, Mass.: G.K.Hall and Go, 1987. P.90.].   ,     ࠫ [39 - Ibid.],        .        ;          .

   ,      1840.    [40 - PoeE.A.The Tales ofGrotesque and Arabesque. In2v. Philadelphia: Lea and Blanchard, 1840.]. Ƞ        [41 -  .     1827. ⠫  .     .  ,        ,   .     .: Smyth P. Poes Arabesque // Poe Studies, 6, 2(December, 1974): 4245.],         :  ,    [42 -   1856. BaudelaireCh.Op. cit. P.101.].  ,  ,  ,   (, , )   (prayer carpets)[43 - ShawB.Op. cit. P.89.]. ,      .         ,  -   .       ,   ,      . ,   (  )   lart pour lart     .    :  ,  ,  .

        [44 - .   .  : Peeples S. The Afterlife ofEdgar Poe. N.Y.: Camden House, 2004. P. 128129.].    ,  ;          [45 -         : Dorgan O. The Raven, 1904().].       ,  .    ,      (une vaste cage[46 -   1852. BaudelaireCh.Op. cit. P.23.]),  ,    ,  .       ,          ,  30--40- . XX .       ,   .      XX .   ,         [47 - Parrington W. Main Currents inAmerican Thought: An Interpretation ofAmerican Literature from the Beginning to1920. V. 2, 1927. P.58.].      ,     ( )  ,  ,  ,     ,     [48 - .. . .: , 1972. .51.]. ,        (sic!) : ,  , [49 - WhitmanW.E.Poes Significance // The Recognition ofE.A.Poe. Ed.E.W.Carlson. P. 7576.].      ,     .       蠫  .

   ,       1949.    ,  ,        -, ,  [50 - Tate A. Our Cousin, Mr. Poe // PoeE.A.ACollection ofCritical Essays.Ed.R.Regan, Englewood Cliffs, N.J.: Prentice-Hall, 1967. P.42.],    1951.         ;  蠖    컠     [51 - Tate A. The Angelic Imagination // The Recognition ofE.A.Poe. Ed.E.W.Carlson. P. 23637.].      ᠫ      .    avant la lettre   ,      - . ,           .     ,   ,          .       -,      [52 - Wilbur R. The House ofPoe // The Recognition ofE.A.Poe. Ed.E.W.Carlson. P. 258274.].        ,    :   (matter)    [53 -  . SanfordCh.L.E.A.Poe // The Recognition ofE.A.Poe. Ed.E.W.Carlson. P. 299300.].   ,       ?    [54 - Hoffman D. Poe Poe Poe Poe Poe Poe Poe. P.206.]        Poe Poe Poe Poe Poe Poe Poe.       ?

        ,   -   ,     [55 - Hartman G. Beyond Formalism; Literary Essays, 19581970. N.H.: Yale Univ. Press, 1970. P.42.].   ,     ,               [56 - Brooks P. The Idea ofaPsychoanalytic Literary Criticism // Discourse inPsychoanalysis and Literature.Ed.Sh.Rimmon-Kenen. L.; N. Y.: Methuen, 1987.P.4.].       ,     ,     ;          .  1960- .      -;     - (Poe Studies), ࠫ     .      :           ,                 [57 - Auerbach J. The Romance ofFailure: First-Person Fictions ofPoe, Hawthorne, and James. N.Y.: Oxford Univ. Press, 1989. P. 2628.].     ,  ,    .

 ,    ᠫ ,  lart pour lart, , ,    , .         ,           .      ,  . ,         :     ,  - ,     [58 - ..      //   .  30. . 19. .: , 1979. . 89.       .:  .   : , ,  // , , :    . . . .., ... .:   , 2017. C. 117131.].     ,      ,  , ,     .   ,  ,  ,          ,   , ,  ,        .       ,        () .




  


     ,    XX .     .    ,          ,     [59 - The under-current flow ofmeaning.   砫 . .  2-x . . 2. .521.] ,  . , ,    , ,  堖    -   ,      ,   .

        ,   .     ,  ,     ࠖ         . , , , ,  /    -  [60 - BonaparteM.E.Poe. Sa vie son oevre. Etude analitique. V.13. Paris: Presses Univ. de France, 1958. .  砫  : 젖   (corps maternel; Ch?teau-m?re); ,     ,  (le cloaque maternel). V. 2. P.306.].   , ,  .     ,   ࠫ  ,     (       ). ,    (The Purloined Letter, 1844)     , ⠫    ,         [61 - .A.  . .: , 2000. . 483.             .].     젖  ,  ࠖ ,  [62 - BonaparteM.Op. cit. V. 2. P.581.],         .

        哻 ,       [63 -    1955.   ,  1966.: Lacan J. Le Sminaire sur La Lettre vole // Ecrits I. Paris: ditions du Seuil, 1966. P. 775.]. ,       ,      [64 - Entre les jambages de la chemine: Lacan J. Le Sminaire sur La lettre vole // Ibid. P.36.       : .   // Π    . .:  , 1999. .701.].  ⠫,   ,       ,  , ,   ; 堖   ࠖ    [65 -         ,         .    , ,      :             ;  ,     ,       (Weber J.-P. The Theme ofthe Clock // PoeE.A.ACollection ofCritical Essays.Ed.R.Regan. P. 82).             .     ࠫ    ,     .  ,  ,    ,     :   /  ⠫-,   ⠫   .. (Richard C. The Heart ofPoe and the Rhythmic ofhis Poems // Critical Essays on E.A.Poe. Ed.E.W.Carlson. P. 198).].

 ,    ,     ,             .         ,           (The Narrative ofArthur Gordon Pym ofNantucket, 1838) . Ӡ , ,  ࠖ , ,  ,   ,    [66 -  .  .   . .: -  , 1998. .93.]. ,    ,    ,  , . ,      ,    :      ,     :        , 頖  , 頖   .  ,  ,     ,  [67 - ..95.].       ,  ;      ,   .      ,  ,     ࠖ  .        :   砄     ,     ,    .  . , ,    ,    [68 -  .  . ,  . 9/10(. , 1994):80.].

 ,             .    (  )    .  ,             .   ,     ,   [69 -  .  .   . .: -  . .140.].    ,     ⠫,  :       ,   , , ,   ,   [70 -  .  . .94.].    , ..   . Ѡ ,    ,   ,          .   ,    ,   ,          . Ѡ ,    :  , ,   ,        ( ),     ( ),       ,  ,        -    [71 - .. .   . .: , 2012. .153154].  ,     -,   ,      ,     [72 - ..153.].

  ,          .          ,   () .    ,  ,     (lust). Ƞ,      ,      .       ,    ,    .  , ,  machine  plaisir .      ;     ,   ,     [73 - LawrenceD.H.Studies inClassical American Literature. N.Y.: The Viking press, 1964. P.69.].       , ;     . Π   (lcrivain des nerfs) , ,  ,     ,  [74 - Baudelaire Ch. Edgar Allan Poe: sa vie et ses ouvrages.  . 1856. Op. cit. P.113.].

 ,    ,    ,     ( ,   ,  ).           : 렖 ,  ,   ,     ,    ,   ,    [75 -  .      //  . . . , . .: , , 1994. .457.].       ,  ,        [76 - .]. ,    post mortem, ,   .     ,  .         [],    :      ,  :   ,   [77 - ..448.].   , , ,  .    ,   ,  ,  ,   :      [78 - ..454.].

   ,        ,        ,      (   컠 )   ,  ,  .     ,      ,  .      .     :       ,  , .

  ,       . ?  .   ? .               , vagina dentata, ,   ()   ().

  ,     ,    ,  ,  ;    ,  :   軠   ,     ..     [    ], ,     ,    ,     ,  [79 -  .  . .95.].        ,   .    ,  ,  , , ,   ,  .    ,  ,      ,  ,  ,   ꠫  ; ,      ,      (plotted misreading)[80 - Renza L. Edgar Allan Poe, Wallace Stevens, and the Poetics ofAmerican Privacy. Baton Rouge: Louisiana State Univ. Press, 2002. P.33.].




 


         ,    ,           ,      .            .  ,    ,          ,           [81 -   ,     ,     .  . : The American Face ofEdgar Allan Poe. Eds. S.Rosenheim and S. Rachman. Baltimore: Johns Hopkins Univ. Press, 1995. . : Poe and the Remapping ofAntebellum Print Culture.Ed.J.G. Kennedy and J. McGann. Baton Rouge: Louisiana State Univ. Press, 2012.].           [82 - ,     ,   ,   1988   . Reynolds D. Beneath American Renaissance. The Subversive Imagination inthe Age ofEmerson and Melville. Cambridge, Mass.: Harvard Univ. Press, 1988.],  ,       ࠖ    [83 -     : Goddu T. American Gothic. N.Y.: Columbia Univ. Press, 1997; American Gothic. New Interpretations inaNational Literature. Eds. R.K.Martin and E. Savoy. Iowa City: Iowa Univ. Press, 1998.       . .    -: Sanchez-Eppler K. Bodily Bonds: The Intersecting Rhetoric ofFeminism and Abolition // The Culture ofSentiment. Race, Gender, and Sentimentality inthe 19


 Century America.Ed.S.Samuels. N.Y.: Oxford Univ. Press, 1992.].     ,  ,           .  ⠫ [84 -   .   ,   ,     : The Man ofthe Crowd. Peeples S. The Afterlife ofEdgar Poe. P. 92125.],    ,        .        ;   ,    ,   ࠖ     .

       ໠ ..   , ,     .     ,  , ,  ,    .   [85 - Fiedler L. Love and Death inthe American Novel. N.Y.: Criterion books, 1966. P.379.],   [86 - Morrison T. Playing inthe Dark: Whiteness and the Literary Imagination. Cambridge, Mass.: Harvard Univ. Press, 1992.]       ⠫    ,     . Ѡ     蠫 [87 - Π        : GrossL.S.Slavery and the Gothic Horror ofPoes The Black Cat // American Gothic. New Interpretations inaNational Literature. Eds. R.K.Martin and E. Savoy. P. 99129. .   ,       : Romancing the Shadow: Poe and Race. Eds.J.G.Kennedy and L. Weissberg. N.Y.: Oxford Univ. Press, 2001. Π . : Erkkila B. The Poetics ofWhiteness. Poe and the Racial Imaginary. Pp.4175.]. ,   ,   - ⠫         - (Hop-Frog, 1849),     .  ,  ,  , , , -,  ,  ,     :      .        ,   ,            ,   , .

           [88 - PersonL.S.Poes Philosophy ofAmalgamation. Reading Racism inthe Tales // Romancing the Shadow: Poe and Race. P. 206221.].      ,       ;  ,         .      ,    :        [89 - Dayan J. Amorous Bandage: Poe, Ladies and Slaves // The American Face ofEdgar Allan Poe. P. 179210.].  ,  ,  ,      ( )    (    ).         ,  ,    ,           .  , ,         ⠫ .

        .     ,  , ,    ,       [90 -       (John Carlos Rowe).      XIX   (Through the Custom-house: Nineteenth-century American Fiction and Modern Theory, Baltimore: Johns Hopkins Univ. Press, 1982),           . .   .: At Emersons Tomb: the Politics ofClassic American Literature. N.Y.: Columbia Univ. Press, 1997.       ,   ,         .        ⠫   1836.      ( : Paulding-Drayton Review).  , ,   . . : Ridgely J.V.The Authorship ofthe Paulding-Drayton Review // PSA Newsletter, XX (Fall 1992): 13,6.].    ,  ,   ,      .       (         , average racism[91 -     .: Romancing the Shadow: Poe and Race. Whalen T. Average Racism. P. 142.])   ,    ,      .  ,  ,      .      ,   .   ,  ,   ꠫,  :      ,       .         , :   ,  ,     ,        . Ƞ   ,          ?[92 - . :  .  . .93.]   , ,   ,    /  ,      .

,       .     , ,  :     .    ,     ;       :    ,   -     [93 - Peeples S. The Afterlife ofEdgar Poe. P.108.].  1970-        砫  . Ѡ ,    ,   ,  (la poupe).    ,   , 堖       - [94 - Cixous H. Poe Re-Lu. Une Potique du Revenir // Critique, 28(Avril, 1972):313.].         ,     .

    , ,  ,      [95 - Person L. Aesthetic Headaches. Women and aMasculine Poetics inPoe, Melville and Hawthorne. Athens, L.: Georgia Univ. Press, 1988. P. 2640.]    ,     [96 -    . .: JordanC.S.Poes Re-vision. The Recovery ofthe Second Story // American Literature 59(March, 1987): 119.].     ,  ,   ,  ,   ,        ;     [97 - PersonL.Op. it. P.47.].  1990-      [98 - ., ,       Poe and Women //Poe Studies 261&2(June / December, 1993).].

     ,   , ,    ࠖ ,  ,  ,     .     ,     ,       .       ,  ,     . ,            : - / ,  / [99 - Leverenz D. Poe and Gentry Virginia // The American Face ofEdgar Allan Poe. P. 210237.].

           -.    , ,   ,    ,     , -,  ,  [100 - .,  : PersonL.S.Queer Poe: The Tell-Tale Heart ofHis Fiction. Poe Studies 41(2008): 730; Greven D. Gender Protest and Same-Sex Desire inAntebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville. Burlington: Ashgate, 2014. .     : Urakova A. The Purloined Letter inthe Gift Book: Reading Poe inaContemporary Context// Nineteenth-Century Literature. 64(2009): 323346.   .  .   : , ,  // , , :    . C. 117131.    ,    -    .].       (between men),     [101 - Sedgwick, E. Kosofsky. Between Men: English Literature and Male Homosocial Desire. N.Y.: Columbia Univ. Press, 1985.],      , , ,   .      ,    ࠖ            [102 - Rohy V. Ahistorical // GLQ: AJournal ofLesbian and Gay Studies 12.1(2006): 6183.].    ࠖ     ,    , ,         per se.  ࠖ   .   ,    ,    Queer Poe,        ,      ,     ,  ⠫ [103 - Person, op. cit. P.17.]. .       Ahistorical,     ,    ,    ,     .

      , ,    -  .      . Ѡ  , ,  ,     ,     (syncope).        ,      -,        (sensational literature),    .   ,  ,   avant la lettre   ,    ,  ,  .   ,   , - ,      .    ,  ,     ,        ,   [104 - Elmer J. Reading at the Social Limit. Affect, Mass Culture, and Edgar Allan Poe. Stanford: Stanford Univ. Press, 1995. C.    Terminate or Liquidate? Poe, Sensationalism, and the Sentimental Tradition .: The American Face ofEdgar Allan Poe. P. 91121.].           ,   . ,        ,    ,  .   -          ,       ,  .

   ,     -,      .     (body politics),    .  ,      ,  ⠖ , ,  ,        ,    .     ,    ,        .     ,          .

,       ,  ,    .        ,     . Ѡ ,       ,   : , ,   .          ,   ,    ,       . Ѡ ,      ࠖ    ,      . Ѡ        , , ,    .   ,      ,     ,          .

               .    ,    [105 - ..     ( ,    ,  )        ,   :    ,   ,    . ..    // ... . 7.. 1. .:  ;   , 2003. . 126129.],    ,  -.  砖    ,      ,  (      )  .    堫.     ,     , 堖  ,   ( ,  ..) ,  .    , ,     (, ,  , ),   , ,       ,   .  ,     ⠫,        , ,     (   )  .

 ,     ,     ,    ,   .           ,    ,        ,        젖  , ,  ,  , .      ,           , ,  ,   ,    ,    .

,          ,    .        -     ,    ,    .   ()   ,     .    , 蠫,  ,      ,  .    ,  蠫,   .          ,  ,      .  ,          ,      .       ,  ,  :   /   ,     ,         .               ,         XVIII ,       .

     ,   .       , .      堖     .  1950--80- .,    ,  -,               ,   .  ,   ,    .      ,     [106 -         ,     ..: ..  .  . .: . ., 1984.     .. II .    ( , , 2000. . 172221).].        ,   .      ,   ,  , ,  ,      .       (       1845.),         .       [107 -     : McGill . American Literature and the Culture ofReprinting, 18341853. Philadelphia: Philadelphia Univ. Press, 2003. P. 149151.]. ,        .  ,  1840- .,     ,        ,     [108 -    ,   .    ,         , -    : Allen M. Poe and the British Magazine Tradition. N.Y.: Oxford Univ. Press, 1969.].  ,     ,    ,  .   ,   ,   ()   ;    ,  ,   .

   ,  ,      :     .        . ,   , ,         ,       . ,    , ,      ,    (The Man that Was Used Up)      (The Fall ofthe House ofUsher). ,    ,     ,   ,      ,    ,    (  ,  ,  ): Brevet Brigadier General JohnA.B.C.Smith was the man THE MAN THAT WAS USED UP; and the deep and dank tarn at my feet closed sullenly and silently over the fragments ofthe House ofUsher




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1


 .    . .: Ad Marginem; , 2002. .92.




2


.-.  :   . .: , 2000(  1943).




3


- .  . .: , 1999(  1945).




4


         (corp sans organes)          . ,  . -:  . .: -, 2007(  1973 .); Deleuze J., Guattari F. Mille Plateaux. Paris: Editions de minuit, 1980.




5


. .. . .: Ad Marginem, 1995. C.50.




6


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