Poems of the Past and the Present
Thomas Hardy




Thomas Hardy

Poems of the Past and the Present





V.R. 1819–1901

A REVERIE


		Moments the mightiest pass uncalendared,
		And when the Absolute
		In backward Time outgave the deedful word
		Whereby all life is stirred:
		“Let one be born and throned whose mould shall constitute
		The norm of every royal-reckoned attribute,”
		No mortal knew or heard.
		But in due days the purposed Life outshone —
		Serene, sagacious, free;
		– Her waxing seasons bloomed with deeds well done,
		And the world’s heart was won.
		Yet may the deed of hers most bright in eyes to be
		Lie hid from ours – as in the All-One’s thought lay she —
		Till ripening years have run.

    Sunday Night,
    27thJanuary 1901.



WAR POEMS





EMBARCATION

(Southampton Docks: October, 1899)


		Here, where Vespasian’s legions struck the sands,
		And Cerdic with his Saxons entered in,
		And Henry’s army leapt afloat to win
		Convincing triumphs over neighbour lands,

		Vaster battalions press for further strands,
		To argue in the self-same bloody mode
		Which this late age of thought, and pact, and code,
		Still fails to mend. – Now deckward tramp the bands,
		Yellow as autumn leaves, alive as spring;
		And as each host draws out upon the sea
		Beyond which lies the tragical To-be,
		None dubious of the cause, none murmuring,

		Wives, sisters, parents, wave white hands and smile,
		As if they knew not that they weep the while.




DEPARTURE

(Southampton Docks: October, 1899)


		While the far farewell music thins and fails,
		And the broad bottoms rip the bearing brine —
		All smalling slowly to the gray sea line —
		And each significant red smoke-shaft pales,

		Keen sense of severance everywhere prevails,
		Which shapes the late long tramp of mounting men
		To seeming words that ask and ask again:
		“How long, O striving Teutons, Slavs, and Gaels
		Must your wroth reasonings trade on lives like these,
		That are as puppets in a playing hand? —
		When shall the saner softer polities
		Whereof we dream, have play in each proud land,
		And patriotism, grown Godlike, scorn to stand
		Bondslave to realms, but circle earth and seas?”




THE COLONEL’S SOLILOQUY

(Southampton Docks: October, 1899)


		“The quay recedes.   Hurrah!  Ahead we go!.
		It’s true I’ve been accustomed now to home,
		And joints get rusty, and one’s limbs may grow
		More fit to rest than roam.

		“But I can stand as yet fair stress and strain;
		There’s not a little steel beneath the rust;
		My years mount somewhat, but here’s to’t again!
		And if I fall, I must.

		“God knows that for myself I’ve scanty care;
		Past scrimmages have proved as much to all;
		In Eastern lands and South I’ve had my share
		Both of the blade and ball.

		“And where those villains ripped me in the flitch
		With their old iron in my early time,
		I’m apt at change of wind to feel a twitch,
		Or at a change of clime.

		“And what my mirror shows me in the morning
		Has more of blotch and wrinkle than of bloom;
		My eyes, too, heretofore all glasses scorning,
		Have just a touch of rheum.

		“Now sounds ‘The Girl I’ve left behind me,’ – Ah,
		The years, the ardours, wakened by that tune!
		Time was when, with the crowd’s farewell ‘Hurrah!’
		’Twould lift me to the moon.

		“But now it’s late to leave behind me one
		Who if, poor soul, her man goes underground,
		Will not recover as she might have done
		In days when hopes abound.

		“She’s waving from the wharfside, palely grieving,
		As down we draw.. Her tears make little show,
		Yet now she suffers more than at my leaving
		Some twenty years ago.

		“I pray those left at home will care for her!
		I shall come back; I have before; though when
		The Girl you leave behind you is a grandmother,
		Things may not be as then.”




THE GOING OF THE BATTERY

WIVES’ LAMENT



(November 2, 1899)


I

		O it was sad enough, weak enough, mad enough —
		Light in their loving as soldiers can be —
		First to risk choosing them, leave alone losing them
		Now, in far battle, beyond the South Sea!.


II

		– Rain came down drenchingly; but we unblenchingly
		Trudged on beside them through mirk and through mire,
		They stepping steadily – only too readily! —
		Scarce as if stepping brought parting-time nigher.


III

		Great guns were gleaming there, living things seeming there,
		Cloaked in their tar-cloths, upmouthed to the night;
		Wheels wet and yellow from axle to felloe,
		Throats blank of sound, but prophetic to sight.


IV

		Gas-glimmers drearily, blearily, eerily
		Lit our pale faces outstretched for one kiss,
		While we stood prest to them, with a last quest to them
		Not to court perils that honour could miss.


V

		Sharp were those sighs of ours, blinded these eyes of ours,
		When at last moved away under the arch
		All we loved.   Aid for them each woman prayed for them,
		Treading back slowly the track of their march.


VI

		Someone said: “Nevermore will they come: evermore
		Are they now lost to us.”  O it was wrong!
		Though may be hard their ways, some Hand will guard their ways,
		Bear them through safely, in brief time or long.


VII

		– Yet, voices haunting us, daunting us, taunting us,
		Hint in the night-time when life beats are low
		Other and graver things.. Hold we to braver things,
		Wait we, in trust, what Time’s fulness shall show.




AT THE WAR OFFICE, LONDON

(Affixing the Lists of Killed and Wounded: December, 1899)



I

		Last year I called this world of gain-givings
		The darkest thinkable, and questioned sadly
		If my own land could heave its pulse less gladly,
		So charged it seemed with circumstance whence springs
		The tragedy of things.


II

		Yet at that censured time no heart was rent
		Or feature blanched of parent, wife, or daughter
		By hourly blazoned sheets of listed slaughter;
		Death waited Nature’s wont; Peace smiled unshent
		From Ind to Occident.




A CHRISTMAS GHOST-STORY


		South of the Line, inland from far Durban,
		A mouldering soldier lies – your countryman.
		Awry and doubled up are his gray bones,
		And on the breeze his puzzled phantom moans
		Nightly to clear Canopus: “I would know
		By whom and when the All-Earth-gladdening Law
		Of Peace, brought in by that Man Crucified,
		Was ruled to be inept, and set aside?
		And what of logic or of truth appears
		In tacking ‘Anno Domini’ to the years?
		Near twenty-hundred livened thus have hied,
		But tarries yet the Cause for which He died.”

    Christmas-eve, 1899.



THE DEAD DRUMMER



I

		They throw in Drummer Hodge, to rest
		Uncoffined – just as found:
		His landmark is a kopje-crest
		That breaks the veldt around;
		And foreign constellations west
		Each night above his mound.


II

		Young Hodge the Drummer never knew —
		Fresh from his Wessex home —
		The meaning of the broad Karoo,
		The Bush, the dusty loam,
		And why uprose to nightly view
		Strange stars amid the gloam.


III

		Yet portion of that unknown plain
		Will Hodge for ever be;
		His homely Northern breast and brain
		Grow up a Southern tree.
		And strange-eyed constellations reign
		His stars eternally.




A WIFE IN LONDON

(December, 1899)



I


THE TRAGEDY

		She sits in the tawny vapour
		That the City lanes have uprolled,
		Behind whose webby fold on fold
		Like a waning taper
		The street-lamp glimmers cold.

		A messenger’s knock cracks smartly,
		Flashed news is in her hand
		Of meaning it dazes to understand
		Though shaped so shortly:
		He – has fallen – in the far South Land.


II


THE IRONY

		’Tis the morrow; the fog hangs thicker,
		The postman nears and goes:
		A letter is brought whose lines disclose
		By the firelight flicker
		His hand, whom the worm now knows:

		Fresh – firm – penned in highest feather —
		Page-full of his hoped return,
		And of home-planned jaunts by brake and burn
		In the summer weather,
		And of new love that they would learn.




THE SOULS OF THE SLAIN



I

		The thick lids of Night closed upon me
		Alone at the Bill
		Of the Isle by the Race [1 - The “Race” is the turbulent sea-area off the Bill of Portland, where contrary tides meet.]—
		Many-caverned, bald, wrinkled of face —
		And with darkness and silence the spirit was on me
		To brood and be still.


II

		No wind fanned the flats of the ocean,
		Or promontory sides,
		Or the ooze by the strand,
		Or the bent-bearded slope of the land,
		Whose base took its rest amid everlong motion
		Of criss-crossing tides.


III

		Soon from out of the Southward seemed nearing
		A whirr, as of wings
		Waved by mighty-vanned flies,
		Or by night-moths of measureless size,
		And in softness and smoothness well-nigh beyond hearing
		Of corporal things.


IV

		And they bore to the bluff, and alighted —
		A dim-discerned train
		Of sprites without mould,
		Frameless souls none might touch or might hold —
		On the ledge by the turreted lantern, farsighted
		By men of the main.


V

		And I heard them say “Home!” and I knew them
		For souls of the felled
		On the earth’s nether bord
		Under Capricorn, whither they’d warred,
		And I neared in my awe, and gave heedfulness to them
		With breathings inheld.


VI

		Then, it seemed, there approached from the northward
		A senior soul-flame
		Of the like filmy hue:
		And he met them and spake: “Is it you,
		O my men?”  Said they, “Aye!  We bear homeward and hearthward
		To list to our fame!”


VII

		“I’ve flown there before you,” he said then:
		“Your households are well;
		But – your kin linger less
		On your glory arid war-mightiness
		Than on dearer things.” – “Dearer?” cried these from the dead then,
		“Of what do they tell?”


VIII

		“Some mothers muse sadly, and murmur
		Your doings as boys —
		Recall the quaint ways
		Of your babyhood’s innocent days.
		Some pray that, ere dying, your faith had grown firmer,
		And higher your joys.


IX

		“A father broods: ‘Would I had set him
		To some humble trade,
		And so slacked his high fire,
		And his passionate martial desire;
		Had told him no stories to woo him and whet him
		To this due crusade!”


X

		“And, General, how hold out our sweethearts,
		Sworn loyal as doves?”
		– “Many mourn; many think
		It is not unattractive to prink
		Them in sables for heroes.   Some fickle and fleet hearts
		Have found them new loves.”


XI

		“And our wives?” quoth another resignedly,
		“Dwell they on our deeds?”
		– “Deeds of home; that live yet
		Fresh as new – deeds of fondness or fret;
		Ancient words that were kindly expressed or unkindly,
		These, these have their heeds.”


XII

		– “Alas! then it seems that our glory
		Weighs less in their thought
		Than our old homely acts,
		And the long-ago commonplace facts
		Of our lives – held by us as scarce part of our story,
		And rated as nought!”


XIII

		Then bitterly some: “Was it wise now
		To raise the tomb-door
		For such knowledge?  Away!”
		But the rest: “Fame we prized till to-day;
		Yet that hearts keep us green for old kindness we prize now
		A thousand times more!”


XIV

		Thus speaking, the trooped apparitions
		Began to disband
		And resolve them in two:
		Those whose record was lovely and true
		Bore to northward for home: those of bitter traditions
		Again left the land,


XV

		And, towering to seaward in legions,
		They paused at a spot
		Overbending the Race —
		That engulphing, ghast, sinister place —
		Whither headlong they plunged, to the fathomless regions
		Of myriads forgot.


XVI

		And the spirits of those who were homing
		Passed on, rushingly,
		Like the Pentecost Wind;
		And the whirr of their wayfaring thinned
		And surceased on the sky, and but left in the gloaming
		Sea-mutterings and me.

    December 1899.



SONG OF THE SOLDIERS’ WIVES



I

		At last!  In sight of home again,
		Of home again;
		No more to range and roam again
		As at that bygone time?
		No more to go away from us
		And stay from us? —
		Dawn, hold not long the day from us,
		But quicken it to prime!


II

		Now all the town shall ring to them,
		Shall ring to them,
		And we who love them cling to them
		And clasp them joyfully;
		And cry, “O much we’ll do for you
		Anew for you,
		Dear Loves! – aye, draw and hew for you,
		Come back from oversea.”


III

		Some told us we should meet no more,
		Should meet no more;
		Should wait, and wish, but greet no more
		Your faces round our fires;
		That, in a while, uncharily
		And drearily
		Men gave their lives – even wearily,
		Like those whom living tires.


IV

		And now you are nearing home again,
		Dears, home again;
		No more, may be, to roam again
		As at that bygone time,
		Which took you far away from us
		To stay from us;
		Dawn, hold not long the day from us,
		But quicken it to prime!




THE SICK GOD



I

		In days when men had joy of war,
		A God of Battles sped each mortal jar;
		The peoples pledged him heart and hand,
		From Israel’s land to isles afar.


II

		His crimson form, with clang and chime,
		Flashed on each murk and murderous meeting-time,
		And kings invoked, for rape and raid,
		His fearsome aid in rune and rhyme.


III

		On bruise and blood-hole, scar and seam,
		On blade and bolt, he flung his fulgid beam:
		His haloes rayed the very gore,
		And corpses wore his glory-gleam.


IV

		Often an early King or Queen,
		And storied hero onward, knew his sheen;
		’Twas glimpsed by Wolfe, by Ney anon,
		And Nelson on his blue demesne.


V

		But new light spread.  That god’s gold nimb
		And blazon have waned dimmer and more dim;
		Even his flushed form begins to fade,
		Till but a shade is left of him.


VI

		That modern meditation broke
		His spell, that penmen’s pleadings dealt a stroke,
		Say some; and some that crimes too dire
		Did much to mire his crimson cloak.


VII

		Yea, seeds of crescive sympathy
		Were sown by those more excellent than he,
		Long known, though long contemned till then —
		The gods of men in amity.


VIII

		Souls have grown seers, and thought out-brings
		The mournful many-sidedness of things
		With foes as friends, enfeebling ires
		And fury-fires by gaingivings!


IX

		He scarce impassions champions now;
		They do and dare, but tensely – pale of brow;
		And would they fain uplift the arm
		Of that faint form they know not how.


X

		Yet wars arise, though zest grows cold;
		Wherefore, at whiles, as ’twere in ancient mould
		He looms, bepatched with paint and lath;
		But never hath he seemed the old!


XI

		Let men rejoice, let men deplore.
		The lurid Deity of heretofore
		Succumbs to one of saner nod;
		The Battle-god is god no more.




POEMS OF PILGRIMAGE





GENOA AND THE MEDITERRANEAN

(March, 1887)


		O epic-famed, god-haunted Central Sea,
		Heave careless of the deep wrong done to thee
		When from Torino’s track I saw thy face first flash on me.

		And multimarbled Genova the Proud,
		Gleam all unconscious how, wide-lipped, up-browed,
		I first beheld thee clad – not as the Beauty but the Dowd.

		Out from a deep-delved way my vision lit
		On housebacks pink, green, ochreous – where a slit
		Shoreward ’twixt row and row revealed the classic blue through it.

		And thereacross waved fishwives’ high-hung smocks,
		Chrome kerchiefs, scarlet hose, darned underfrocks;
		Since when too oft my dreams of thee, O Queen, that frippery mocks:

		Whereat I grieve, Superba!.. Afterhours
		Within Palazzo Doria’s orange bowers
		Went far to mend these marrings of thy soul-subliming powers.

		But, Queen, such squalid undress none should see,
		Those dream-endangering eyewounds no more be
		Where lovers first behold thy form in pilgrimage to thee.




SHELLEY’S SKYLARK

(The neighbourhood of Leghorn: March, 1887)


		Somewhere afield here something lies
		In Earth’s oblivious eyeless trust
		That moved a poet to prophecies —
		A pinch of unseen, unguarded dust

		The dust of the lark that Shelley heard,
		And made immortal through times to be; —
		Though it only lived like another bird,
		And knew not its immortality.

		Lived its meek life; then, one day, fell —
		A little ball of feather and bone;
		And how it perished, when piped farewell,
		And where it wastes, are alike unknown.

		Maybe it rests in the loam I view,
		Maybe it throbs in a myrtle’s green,
		Maybe it sleeps in the coming hue
		Of a grape on the slopes of yon inland scene.

		Go find it, faeries, go and find
		That tiny pinch of priceless dust,
		And bring a casket silver-lined,
		And framed of gold that gems encrust;

		And we will lay it safe therein,
		And consecrate it to endless time;
		For it inspired a bard to win
		Ecstatic heights in thought and rhyme.




IN THE OLD THEATRE, FIESOLE

(April, 1887)


		I traced the Circus whose gray stones incline
		Where Rome and dim Etruria interjoin,
		Till came a child who showed an ancient coin
		That bore the image of a Constantine.

		She lightly passed; nor did she once opine
		How, better than all books, she had raised for me
		In swift perspective Europe’s history
		Through the vast years of Cæsar’s sceptred line.

		For in my distant plot of English loam
		’Twas but to delve, and straightway there to find
		Coins of like impress.  As with one half blind
		Whom common simples cure, her act flashed home
		In that mute moment to my opened mind
		The power, the pride, the reach of perished Rome.




ROME: ON THE PALATINE

(April, 1887)


		We walked where Victor Jove was shrined awhile,
		And passed to Livia’s rich red mural show,
		Whence, thridding cave and Criptoportico,
		We gained Caligula’s dissolving pile.

		And each ranked ruin tended to beguile
		The outer sense, and shape itself as though
		It wore its marble hues, its pristine glow
		Of scenic frieze and pompous peristyle.

		When lo, swift hands, on strings nigh over-head,
		Began to melodize a waltz by Strauss:
		It stirred me as I stood, in Cæsar’s house,
		Raised the old routs Imperial lyres had led,

		And blended pulsing life with lives long done,
		Till Time seemed fiction, Past and Present one.




ROME

BUILDING A NEW STREET IN THE ANCIENT QUARTER



(April, 1887)

		These numbered cliffs and gnarls of masonry
		Outskeleton Time’s central city, Rome;
		Whereof each arch, entablature, and dome
		Lies bare in all its gaunt anatomy.

		And cracking frieze and rotten metope
		Express, as though they were an open tome
		Top-lined with caustic monitory gnome;
		“Dunces, Learn here to spell Humanity!”

		And yet within these ruins’ very shade
		The singing workmen shape and set and join
		Their frail new mansion’s stuccoed cove and quoin
		With no apparent sense that years abrade,
		Though each rent wall their feeble works invade
		Once shamed all such in power of pier and groin.




ROME

THE VATICAN – SALA DELLE MUSE



(1887)

		I sat in the Muses’ Hall at the mid of the day,
		And it seemed to grow still, and the people to pass away,
		And the chiselled shapes to combine in a haze of sun,
		Till beside a Carrara column there gleamed forth One.

		She was nor this nor that of those beings divine,
		But each and the whole – an essence of all the Nine;
		With tentative foot she neared to my halting-place,
		A pensive smile on her sweet, small, marvellous face.

		“Regarded so long, we render thee sad?” said she.
		“Not you,” sighed I, “but my own inconstancy!
		I worship each and each; in the morning one,
		And then, alas! another at sink of sun.

		“To-day my soul clasps Form; but where is my troth
		Of yesternight with Tune: can one cleave to both?”
		– “Be not perturbed,” said she.  “Though apart in fame,
		As I and my sisters are one, those, too, are the same.

		– “But my loves go further – to Story, and Dance, and Hymn,
		The lover of all in a sun-sweep is fool to whim —
		Is swayed like a river-weed as the ripples run!”
		– “Nay, wight, thou sway’st not.  These are but phases of one;

		“And that one is I; and I am projected from thee,
		One that out of thy brain and heart thou causest to be —
		Extern to thee nothing.  Grieve not, nor thyself becall,
		Woo where thou wilt; and rejoice thou canst love at all!”




ROME

AT THE PYRAMID OF CESTIUS

NEAR THE GRAVES OF SHELLEY AND KEATS

(1887)


		Who, then, was Cestius,
		And what is he to me? —
		Amid thick thoughts and memories multitudinous
		One thought alone brings he.

		I can recall no word
		Of anything he did;
		For me he is a man who died and was interred
		To leave a pyramid

		Whose purpose was exprest
		Not with its first design,
		Nor till, far down in Time, beside it found their rest
		Two countrymen of mine.

		Cestius in life, maybe,
		Slew, breathed out threatening;
		I know not.  This I know: in death all silently
		He does a kindlier thing,

		In beckoning pilgrim feet
		With marble finger high
		To where, by shadowy wall and history-haunted street,
		Those matchless singers lie.

		– Say, then, he lived and died
		That stones which bear his name
		Should mark, through Time, where two immortal Shades abide;
		It is an ample fame.




LAUSANNE

IN GIBBON’S OLD GARDEN: 11–12 P.M



June27, 1897

(The 110thanniversary of the completion of the “Decline and Fall” at the same hour and place)

		A spirit seems to pass,
		Formal in pose, but grave and grand withal:
		He contemplates a volume stout and tall,
		And far lamps fleck him through the thin acacias.

		Anon the book is closed,
		With “It is finished!”  And at the alley’s end
		He turns, and soon on me his glances bend;
		And, as from earth, comes speech – small, muted, yet composed.

		“How fares the Truth now? – Ill?
		– Do pens but slily further her advance?
		May one not speed her but in phrase askance?
		Do scribes aver the Comic to be Reverend still?

		“Still rule those minds on earth
		At whom sage Milton’s wormwood words were hurled:
		‘Truth like a bastard comes into the world
		Never without ill-fame to him who gives her birth’?”




ZERMATT

TO THE MATTERHORN



(June-July, 1897)

		Thirty-two years since, up against the sun,
		Seven shapes, thin atomies to lower sight,
		Labouringly leapt and gained thy gabled height,
		And four lives paid for what the seven had won.

		They were the first by whom the deed was done,
		And when I look at thee, my mind takes flight
		To that day’s tragic feat of manly might,
		As though, till then, of history thou hadst none.

		Yet ages ere men topped thee, late and soon
		Thou watch’dst each night the planets lift and lower;
		Thou gleam’dst to Joshua’s pausing sun and moon,
		And brav’dst the tokening sky when Cæsar’s power
		Approached its bloody end: yea, saw’st that Noon
		When darkness filled the earth till the ninth hour.




THE BRIDGE OF LODI [2 - Pronounce “Loddy.”]

(Spring, 1887)



I

		When of tender mind and body
		I was moved by minstrelsy,
		And that strain “The Bridge of Lodi”
		Brought a strange delight to me.


II

		In the battle-breathing jingle
		Of its forward-footing tune
		I could see the armies mingle,
		And the columns cleft and hewn


III

		On that far-famed spot by Lodi
		Where Napoleon clove his way
		To his fame, when like a god he
		Bent the nations to his sway.


IV

		Hence the tune came capering to me
		While I traced the Rhone and Po;
		Nor could Milan’s Marvel woo me
		From the spot englamoured so.


V

		And to-day, sunlit and smiling,
		Here I stand upon the scene,
		With its saffron walls, dun tiling,
		And its meads of maiden green,


VI

		Even as when the trackway thundered
		With the charge of grenadiers,
		And the blood of forty hundred
		Splashed its parapets and piers.


VII

		Any ancient crone I’d toady
		Like a lass in young-eyed prime,
		Could she tell some tale of Lodi
		At that moving mighty time.


VIII

		So, I ask the wives of Lodi
		For traditions of that day;
		But alas! not anybody
		Seems to know of such a fray.


IX

		And they heed but transitory
		Marketings in cheese and meat,
		Till I judge that Lodi’s story
		Is extinct in Lodi’s street.


X

		Yet while here and there they thrid them
		In their zest to sell and buy,
		Let me sit me down amid them
		And behold those thousands die.


XI

		– Not a creature cares in Lodi
		How Napoleon swept each arch,
		Or where up and downward trod he,
		Or for his memorial March!


XII

		So that wherefore should I be here,
		Watching Adda lip the lea,
		When the whole romance to see here
		Is the dream I bring with me?


XIII

		And why sing “The Bridge of Lodi”
		As I sit thereon and swing,
		When none shows by smile or nod he
		Guesses why or what I sing?.


XIV

		Since all Lodi, low and head ones,
		Seem to pass that story by,
		It may be the Lodi-bred ones
		Rate it truly, and not I.


XV

		Once engrossing Bridge of Lodi,
		Is thy claim to glory gone?
		Must I pipe a palinody,
		Or be silent thereupon?


XVI

		And if here, from strand to steeple,
		Be no stone to fame the fight,
		Must I say the Lodi people
		Are but viewing crime aright?


XVII

		Nay; I’ll sing “The Bridge of Lodi” —
		That long-loved, romantic thing,
		Though none show by smile or nod he
		Guesses why and what I sing!




ON AN INVITATION TO THE UNITED STATES



I

		My ardours for emprize nigh lost
		Since Life has bared its bones to me,
		I shrink to seek a modern coast
		Whose riper times have yet to be;
		Where the new regions claim them free
		From that long drip of human tears
		Which peoples old in tragedy
		Have left upon the centuried years.


II

		For, wonning in these ancient lands,
		Enchased and lettered as a tomb,
		And scored with prints of perished hands,
		And chronicled with dates of doom,
		Though my own Being bear no bloom
		I trace the lives such scenes enshrine,
		Give past exemplars present room,
		And their experience count as mine.




MISCELLANEOUS POEMS





THE MOTHER MOURNS


		When mid-autumn’s moan shook the night-time,
		And sedges were horny,
		And summer’s green wonderwork faltered
		On leaze and in lane,

		I fared Yell’ham-Firs way, where dimly
		Came wheeling around me
		Those phantoms obscure and insistent
		That shadows unchain.

		Till airs from the needle-thicks brought me
		A low lamentation,
		As ’twere of a tree-god disheartened,
		Perplexed, or in pain.

		And, heeding, it awed me to gather
		That Nature herself there
		Was breathing in aërie accents,
		With dirgeful refrain,

		Weary plaint that Mankind, in these late days,
		Had grieved her by holding
		Her ancient high fame of perfection
		In doubt and disdain.

		– “I had not proposed me a Creature
		(She soughed) so excelling
		All else of my kingdom in compass
		And brightness of brain

		“As to read my defects with a god-glance,
		Uncover each vestige
		Of old inadvertence, annunciate
		Each flaw and each stain!

		“My purpose went not to develop
		Such insight in Earthland;
		Such potent appraisements affront me,
		And sadden my reign!

		“Why loosened I olden control here
		To mechanize skywards,
		Undeeming great scope could outshape in
		A globe of such grain?




Конец ознакомительного фрагмента.


Текст предоставлен ООО «ЛитРес».

Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/thomas-hardy/poems-of-the-past-and-the-present-25201871/) на ЛитРес.

Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.



notes



1


The “Race” is the turbulent sea-area off the Bill of Portland, where contrary tides meet.




2


Pronounce “Loddy.”


